By having the entire film occur in one house over one night, instead of going “stop, start, repeat,” we would have had something far more effective.īut what we do have is a home invasion film for the social media generation (yes, it does feature social media in its plot) that should make you think twice before offering warmth and shelter to a stranger on a dark and stormy night. However, Roth does make the mistake of abruptly ending the night of terror by having the two girls leave the house about two thirds of the way in, cutting off the sense of tension that he had been working to create until that point, only for them to return and repeat the process later. ![]() In real life, good doesn’t always prevail. Roth seems to be deliberately teasing us by making us feel that we’re in Hollywoodland, where good always trumps over evil, only for reality to hit at the last moment. The femme fatales, played by Lorenza Izzo and Ana de Armas, are two of the most detestable movie villains in recent memory, but if you want to see them get what’s coming, you’ll be disappointed. Movie rating: 4. During a thunderstorm, two teenage girls (Lorenza Izzo and Ana de Armas) knock on his door to use the telephone. We want to good guy to win and the bad guys to lose. Two young women show up at the home of a married man and begin to systematically destroy his idyllic life. Independent A mans quiet night at home turns into a nightmarish moral inquisition when two gorgeous and treacherous women show up on his doorstep. ![]() ![]() Like with the Hostel movies, Knock Knock is a film where, more than anything, we want a hero to arrive and save the day.
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